Texas act PNTHN was stealing shows left and right on road with Vince Staples
PNTHN’s members have the gall to be conscious of their stage presence. The freshly seasoned Texas group is riding its first wind as far as the sail will allow. The all-male group appeared in control of their stage presence Tuesday in Atlanta at work with West-coasters Buddy and headliner Vince Staples. This happens to be PNTHN’s most accessible tour yet. Learning to mesh with audiences that aren’t necessarily coming to see them bodes well for their future. On the verge of entering the next, upper tier of artistry, this is your best chance to see PNTHN live before their price goes up.
The name PNTHN comes from a member’s interest in mythology, thus the word “pantheon”, which is how PNTHN is pronounced. They took the stage at 8:30… all of a sudden, there were six rappers on stage, each commanding their own pocket of the floor, while their DJ looked the ever consummate professional. Perhaps the most riveting aspect of their brief but illustrious set was just how young they looked on stage, and how much fun they looked like they were having. Clearly, PNTHN lives for the moment, and continues to do so on stage.
The DJ drops a tag in between songs: “It’s the PNTHN, baby,” a member of the group said in an Austin Powers twang. PNTHN rapper Tony Tone tells ATL to turn the fuck up. A tiny mosh-pit begins to formulate as red, blue, and green lights accent the stage.
Much to the crowd’s chagrin, PNTHN leaves the stage at 9:15, allowing Buddy to pick up where they left off at 9:30. Admittedly, Buddy’s performance started off very slow, and there was hardly any crowd engagement until he was three songs in. It appeared the dynamics of the group on stage before him could not be matched by a single performer. This gives PNTHN a reputation that should ensure them a long career in live performances: more bodies on stage, more things happening, more good rap music, more shows for now and later.
Vince Staples took the stage at 10:15 for the tour he had announced in December. The California artist went through hits like Blue Suede, but saved the best for latter in his set: Big Fish was by far the best sounding song live, as Staples performs without a backtracking vocal, but ultimately became a caricature of itself as Staples ad-libbed “late night” three times during the hook. The third time was in poor taste.